Bones and the Force

氣沉骨堅

Heavy vapours and strong bones

骨堅筋柔

Firm bones and supple fascias

As far as the body force is concerned, the external part, the most important was neither muscles nor even fascias for the internal arts, but it was the bones. Bones and force are the typical example of how internal arts work, body force was first about a stronger structure and, to achieve it, stronger organs.

Fluctuat Nec Mergitur

Tossed But Not Sunk

Breathing, Complex and Evolving

睡則氣以耳出，名龜息，必大龜壽*

Vapours comes out of the ears when resting eyes closed, what is called the tortoise breathing, for certain the big tortoise lifespan 

人能依嬰儿在母腹中，自服内氣，握固守一，是名胎息**

If one can do like a baby in a mother's womb, taking by himself internal vapours, holding and protecting tenaciously the unicity, what is called the foetal breathing

鼻息無聲神氣守***
Soundless breathing through the nose, guarding vapours and spirit

Breathing is one of the most important things in life, thus the core of internal practices. Whatever he/she would do, an internalist was always about checking the impact on his breathing and heartbeat. Being a key issue made it also a complex one, it was not only about lungs, but also about heartbeat, skin, fascias, organs...

Condensation and The Belt

氣聚丹田

Vapours gather on the Cinnabar Field

息息歸臍

All breathing returns to the navel

龜尾升氣，丹田煉神*

The turtle tail makes vapours rise, Cinnabar Fields refine the spirit

Internal Alchemy is not only about fire, it is also a question of condensation. The places where vapours are supposed to mainly condense are called Cinnabar Fields, 丹田 (down, middle and upper), which will be dealt in another post. Condensation was a question of accumulation in the first place, and compression in the second, the two first skills targeted by internal breathing, 息.

External Comes First

又有三步睡功夫。一曰仰臥，兩腿直，十足指回勾腰控，存想湧泉，雙手搭扣撐住；二曰左偏臥，頭枕左足尖，左手搬左足跟，右換如之；三曰伏臥，雙手抱頭，足跟朝天，十足指尖用力向地，存想泥丸。隨便臥時，頭腰腿要三直*

There are also the three "lying down" skills. First, the one on the back, legs straight, the ten toes hooking through the waist, keeping in mind the Gushing Spring (涌泉, acupoint located in the middle of the foot), the hands locked together to support; second, on the left side, the head lying on the extremity of the left foot, the left hand pulling the left heel, then doing exactly the same on the right side; third, on the stomach, two hands holding the head, the feet arch pointing towards the sky and the ten toes vigorously pointing towards the ground, keeping in mind the Mud Pellet (Upper Cinnabar Field also called sometimes the Third Eye). However one is lying, head, waist and legs have to be kept straight.

External Comes First is also a classic example of the oversight of heavy stretching as first training, because the reasons behind it are forgotten, it is a too strenuous exercise and it usually used to take only a couple of months since the students were normally teenagers.

Transforming First the Body

三年樁，兩年拳

Three years of postures, two years of boxing

百折連腰盡無骨*

A hundred twists linking the waist, a boneless utmost

練形者，又名曰展筋脫骨**
Who trains the shape, also called spreading out the fascias and bones coming off

Different athletes have different bodies. From a weightlifter to marathon runner, because the physical abilities required and the motion imposed are very different, the type of bodies are very distinct. Even for Martists, sometimes one can recognise who is practicing what just by looking at their bodies and how they move.

Train, Refine, Temper

練形術

Art of training the body

煉石補天

Refine the stone to repair the innate

千錘百鍊

After hard work and numerous revisions

練, 煉 and 鍊, are all pronounced liàn. They are all made of 柬, to select, but written with different radicals*. They all can be used as to describe one's training. Even if they seem interchangeable, those three characters actually refer to different parts of training in internal arts.

Foggy Heart

心靜气動

A still heart for moving vapours

二振气，三安和

Second rouse vapours, third calm and at peace*

The two main pillars of internal arts are the heart and the Qi, emotions and vitality. If one was to describe a high internal level, even though martial arts have little to do with meditation, it would be through two lotus postures. The first one would be a Martist at noon in the middle of a very hot summer in a very stuffy room.

Roots

法是功能之基

Method is the base of capability

Most of the Martists come to the practice for the wrong reasons, often attracted by their supposed past glory (after all, nobody was there). If one's aim is to become a warrior, only the army, the police or affiliated can offer the right environment, certainly not practices that cannot be used because the technology has rendered them obsolete and/or legislation illegal.