Closing the Doors

肛門不提，丹田氣散，内中空虚，元氣*虧損

When the anus is not pulled up, the vapours around the cinnabar field disperse, the inside becomes empty and one's vitality depletes.

As it has been mentioned in the previous post, one could compare training teenagers and adults to fixing new or already used cars. Hence, when training adults, one has to consider the body deterioration, a thing teenagers have not yet undergone. As far as internal alchemy is concerned, it is mainly about the organs and their capacity to generate heat. Hence, their place, size and insulation are important matters to deal with when training adults. Right place and size are determined by the capacity to keep the stomach flat and insulation is working on the sphincters so that the sex and the anus are kept as closed as possible most of the time. Both issues are mainly solved by working on the pelvis and the perinea.

Bending the Bow

未学功夫，先学跌打

Before studying skills one shall study acrobatics

百折連腰盡無骨*

A hundred twists linking the waist, a boneless utmost

These two quotes are a perfect example of what kind of suppleness was required in the old days for Martists. Basically, one had to push flexibility to its utmost limits. Therefore, a great part of the basic training was extreme flexibility. Still, it was not the only basic training for internal arts, the other one was posture, learning a correct alignment. In a sense, those two trainings were not only made to complement each other but also as antidotes. Indeed, for the least, correct alignment locks the body in certain angles, restraining its movements and therefore diminishing its flexibility while extreme flexibility puts the body in detrimental angles which may, in term, lead to injuries.

Firmly Elastic

魄門亦為五藏使*

The Mortal Soul Gate is also of use for the five organs  

下收穀道，上提玉樓**

Down holding the Grain Path, up lifting the Jade House

As it has been already mentioned many times in this blog, adapting professional training made for physically and mentally strong teenagers to leisurely adults raises a lot of issues. It is interesting to notice that one of the first issues is actually the basic training for any style focusing on fascia elasticity: flexibility. As it was mentioned in the posts concerning such elasticity, flexibility for those old practices is not meant to acquire acrobatic skills, even when the results seem quite similar. Indeed, as acrobatic postures may look, they still have to follow a set of rules concerning body alignment, like tucking in the butt for example.