Contracting or Spreading

 

筋道不舒長，欲伸而筋不能伸

When the fascias channels are constrained and short, one cannot stretch at will1.

練形者，又名曰展筋脫骨
Who trains the shape, also called spreading out the fascias and the bones coming off2.

Contraction, especially when grown up, is so ingrained in our body that, even when someone has transformed his/her body through stretching, the reflex will remain. Training from a later age, one also has to learn again how to spread instead of contracting.

Stretching The Basics

未學功夫，先學跌打

Before studying skills one shall study acrobatics1

Flexibility has been researched for over 100 years. Its track record is unimpressive, particularly when viewed in light of other components of physical fitness. Flexibility lacks predictive and concurrent validity value with meaningful health and performance outcomes. Consequently, it should be retired as a major component of fitness2.

三年樁，兩年拳

Postures for three years, boxing two years

The first quote apparently makes the link between practising martial arts and acrobatics, which become a prerequisite. Acrobatics and the extreme flexibility they require doesn’t seem to have a lot to do with using a sword or any weapon of the old times. So, why did it use to be a part of the basic training of a lot of styles until recently, shared by both internal and external methods? 

Hard Round Or Tender Oval

打拳壯筋骨

Training to strengthen fascias and bones.

寧練筋長一寸，不練肉厚三分

Rather train to lengthen the fascias by one inch than to thicken the flesh by one third.

Contracting the muscles has become such a common norm that we tend to think that it is the only way to move, generate strength... Even when the terms of isotonic, concentric and eccentric are used to oppose three states, maintaining the same length, shortening and extending, it is always in regards to contraction. Still, there is a world outside of contraction, where the muscles relax and extend to their fullest, tensing without contracting. Already mentioned in this blog (see Fascia Elasticity), the image of the bow is central to such understanding, using the body and more especially the fascias and the flesh elasticity is a question of structure.

A Bit Of A Stretch

練形者，又名曰展筋脫骨
He who trains the shape, also called spreading out the fascias and the bones coming off1.

Flexibility has been researched for over 100 years. Its track record is unimpressive, particularly when viewed in light of other components of physical fitness. Flexibility lacks predictive and concurrent validity value with meaningful health and performance outcomes. Consequently, it should be retired as a major component of fitness2.

Open societies in our times suffer from a never-ending flow of information on any and all subjects and coming from virtually anybody with a computer who decides to write on something. Adding the marketing, political and other agendas people tend to push through information, the result is more confusion or a return to just one’s own beliefs, even though they are totally false. Old oral transmission was all about self-discovery, which meant information was scarce and shared only when time was ripe.

Sturdy Structure

拳怕少壯

The fist fears the young and robust¹

膂力過人

An outstanding backbone strength²

打拳壯筋骨

Training strengthens fascias and bones.

刀越磨越亮，體越練越壯

The more is polished a knife the brighter it is, the more is trained a body the stronger it is.

冬養骨，夏伸筋

Winter to grow bones, summer to extend the fascias

The need to first transform the body, stressing on fascias and bones, which has already been described in length in this blog, is the basis of the external training of internal practices. 

Posture With A Little Push

A good stance and posture reflect a proper state of mind¹.

把勢、把勢，全憑架式

Skill, bluster, it is all a question of posture².

理是功能之本，法是功能之機

Structure is the essence of capacity, method its crucial point².

Posture used to be one of the cornerstones of internal practices. It served many purposes, but deep body transformation and breathing training were amongst the most important. Nowadays, postures are limited, both in their range and diversity.

Overload

铁杵成针

To grind an iron bar down to a fine needle

集腋成裘

Many a little makes a mickle (many hairs make a fur coat)

The use of weights in old practices is often a misunderstood issue. Indeed, it is often considered as either good or bad. Old practices were all about method, which means most of the time neither a total inclusion, nor exclusion, of any exercise. It was a question of opportunity, so of when, how and why. The first question to be answered was why one would use weight in training, then would come the when was it opportune and how to train with them. Since training was primarily customised for children and teenagers, whose body would transform very quickly, the opportunity to use weights in training would come very fast. Hence, as far as teenagers were concerned, weights were almost from the beginning a part of their training. Unfortunately, going from children professionally trained to leisurely adult changes totally the equation. Therefore, it may be interesting to describe how adults shall face the weight issue.

Twists and Locks

無力優力

Without force is the better force

直而不直，曲而不曲

Straight but not straight, curved but not curved

三節九段，三弓九曲

The three parts and the nine sections, the three arches and the nine curves

Straightness with a body as lax as possible is just the first step of training. Indeed, as it has been described in the previous post, one has to change his/her body to make it supple enough to be able to work with fascia elasticity instead of muscle contraction. Once the body is transformed enough, one can go a step further and learn how to tense it. If intent and using the cross and the six directions principles has also been described before, the ultimate roundness through the locks is supposed to tense the body automatically. Still, one shall not put the cart before the horse, enough flexibility has to be achieved to be able to contemplate the locks trainings, otherwise not only it will not work, but it will also end up harming one's body. To achieve the locks, one has first to go from straightness to roundness, working on twist and the six directions. Then, when enough extra flexibility has been gained, locks will be about using it to tense up through particular angles.

Suppleness is in the Details

二曰左偏臥，頭枕左足尖，左手搬左足跟，右換如之*

Second, on the left side, the head lying on the extremity of the left foot, the left hand pulling the left heel, then doing exactly the same on the right side

Most of the trainings to improve fascia elasticity were originally meant for teenagers, if not very young kids, quite violent and/or intense in order to take the advantage of their very flexible body and influence their growth. Since grown-ups and/or leisure practice cannot reach such intensity without surely harming the body, the issue is how to adapt old trainings and one's objectives in order to still be able to improve elasticity and connectivity.

A Question of Size, a Question of Time

筋道不舒長，欲伸而筋不能伸*

When the fascias channels are constrained and short, one cannot stretch at will

手屈而不伸者，其病在筋**

He whose hands are bent and not extending, its illness is in the fascias

To furthermore understand what is sought for in the search of straightness, and even elasticity more generally, it may be interesting to explain furthermore the first quote, from the Fascias Change Canons, more known as the YìJīn Jīng. Indeed, it contains a few keys to understand what is sought for when working with fascias. As it has been mentioned in a previous post, martial enigmas always hold more than one meaning (hence, the above translation of the first quote was meant to illustrate a former post). Then, from a basic understanding, one can try to expand certain characters.

Acrobatic Die

未学功夫，先学跌打

Before studying skills one shall study acrobatics

One shall keep in mind, as it was reminded in Standing, that old schools used to be for professionals, their usual students were teenager, if not kids, whose body could be transformed very quickly. Hence, the extreme flexibility required of martists described in the quote was something so obvious that the reasons behind it and part of their training methods have been lost in our modern leisurely times.

Training acrobatics was a way to improve one's elasticity as well as reconnect all the fascia lines, allowing more freedom and smoothness in one's moves. It was also a means for the losing battle against ageing and gravity. Nowadays, students being most of the time adults and the heavy stretching exercises often demoted from their status of basics to useless acrobatics, it may be necessary to remind what were some of their former goals and how can we get back some key points in our trainings without having to aim for an acrobatic flexibility.

Back to the Fascias II, Using Fascia Elasticity

筋道不舒長，欲伸而筋不能伸*

When the fascia channels are constrained and short, one cannot stretch at will

發如美人之採花，收如文士之藏筆**

Sending out like a beautiful lady picks up flowers, gathering like a scholar collecting his brush

Fascias by essence being passive tissues, the main issue is, of course, how to make them participate as much as possible in motion and power generation. Stretching and particular body angles are the main way some old practices used to have the student understand how to generate power using fascia elasticity as it has been described in the section Fascia Elasticity. Still, to further understand how this works, it may be interesting to use an old martial art method, studying animals.

Being passive structures transmitting mechanical tensions, one cannot use fascias directly but only through muscles, body angles and sometimes gravity or any other outside force. If in the posts The Bow, Cornerstone of Elasticity and The Cross and the Six Directions, the principles behind the angle issue has been described in details, the muscle issue can be further explored. The first issue resides in the kind of muscles one is looking for to enhance the use of facia elasticity, mainly the difference between tender and hard muscles. Furthermore, building from the example of the hanging gibbon against working on a chin bar, one can also explore the difference in motion between the use of muscle contraction and fascia elasticity.

Back to the Fascias I, New but Old

然而練筋易而練膜难*

However, it is easy to train the tendons but harder to train the membranes

筋有十二經絡**

The fascias are twelve net channels

足太陽之筋***

Fascias of the Foot Great Masculine

Internal practices centre themselves around three notions: fascias, vitality and breathing. If fascias seem to deal with the body power, the external force, vitality with its internal aspect and breathing with rhythm, they are actually intertwined. Indeed, the work on fascias improves one's organs, hence one's vitality, and regulates one's breathing. Vitality, through swifter moves, improves fascias resistance and stronger organs allow a deeper and uninterrupted breathing. Breathing, through relaxation, improves fascias stretching and saves vitality by keeping the emotions under check. One could say the bones, our frame, should be also mentioned as a very important issue. Still, they are a byproduct of vitality through the kidneys and thus included in this one. Since training is often about repetition, it seems opportune to revisit those three concepts from time to time.

The concept of fascias, or connective tissues, which seems to have appeared around the 19th century in modern medicine and became more and more known recently**** is a notion very close, if not alike, to what one of the best known book of Traditional Chinese Medicine, the Yellow Emperor's Inner Classic, describes as 經筋, the fascia channels (a modern fascia line compared to an old Chinese fascia channel). Still, 筋, which is often taken in its meaning "tendons" for a lot of martists, is and has not been the only term used to describe connective tissues. Therefore, it seems necessary to first deal with the terms covering the concept of fascias in Chinese.

Hold On

心為令，氣為旗，腰為纛
The heart commands, vapours are the flag and the waist the banner

肛門不提，丹田氣散，内中空虚，元氣*虧損
When the anus is not pulled up, the vapours around the cinnabar field disperse, the inside becomes empty and one's vitality depletes

A lot of Chinese practices consider the waist to be the most important part of the body, 腰为主宰, the waist dictates. For those practices, the waist refers not only to the anatomical part of the body, but can also point out specific vertebras or extend to the whole part below the navel to the crotch, the pelvic area. Since it is not only the centre of one's body, where the legs and the chest connect, but also the most important place for vitality, most of the organs being more or less located around it, keeping a correct structure in the area is key to a fruitful training. Among the many requirements one stands out, the necessity to literally pull up the anus that you find in a lot of practices (or its symmetrical version, to pull up the bladder) and hang the stomach (or its symmetrical version, to pinch the sacrum vertebras).

The Cross and the Six Directions

沉肩墜肘，含胸拔背

Sink the shoulders and drop the elbows; contain the chest and pull up the back

鬆腰坐胯，開襠膝撐

Relax the waist and sit the hips; open the crotch and have the knee brace

Once the evolutive principles behind the figure of the bow are understood, one has to expand the connectivity of the fascias by connecting different lines together, and their elasticity by going beyond lines into surfaces and volumes.

The Bow, Cornerstone of Elasticity

兩肩垂兮十指連

The shoulders drop, the fingers link!*

兩手垂兮兩肘彎

The hands drop, the elbows curve!**

屈可伸兮伸又屈

Bent but able to stretch, stretched but also bent!**

前開後合天然妙，雙峰對峙

A natural wonder the front opened and the back closed, the two acromions stand facing each other***

To be able to use fascia elasticity, as it has already been mentioned in previous posts, one has to stretch connective tissues to gain elasticity and get the proper alignments to really connect the whole line again. But this combination of stretching with proper alignments goes beyond just transforming the body, it is a mean to get the fascia lines to tense, first indirectly and then actively.

Naturally Contracted or Natural Elasticity

優力無力

No force is the better force

In theory, the difference between contraction and elasticity seems not too complicated. On one hand muscles contract and/or become loose while, in the other hand, facias extend and retract. In practice, and especially nowadays where muscle contraction is the main solution used to generate force for most humans*, it is a more complicated problem, a lot of practices advertising not using muscle contraction, either for marketing purposes or earnestly, while they still do.