Back to the Fascias II, Using Fascia Elasticity

筋道不舒長，欲伸而筋不能伸*

When the fascia channels are constrained and short, one cannot stretch at will

發如美人之採花，收如文士之藏筆**

Sending out like a beautiful lady picks up flowers, gathering like a scholar collecting his brush

Fascias by essence being passive tissues, the main issue is, of course, how to make them participate as much as possible in motion and power generation. Stretching and particular body angles are the main way some old practices used to have the student understand how to generate power using fascia elasticity as it has been described in the section Fascia Elasticity. Still, to further understand how this works, it may be interesting to use an old martial art method, studying animals.

Being passive structures transmitting mechanical tensions, one cannot use fascias directly but only through muscles, body angles and sometimes gravity or any other outside force. If in the posts The Bow, Cornerstone of Elasticity and The Cross and the Six Directions, the principles behind the angle issue has been described in details, the muscle issue can be further explored. The first issue resides in the kind of muscles one is looking for to enhance the use of facia elasticity, mainly the difference between tender and hard muscles. Furthermore, building from the example of the hanging gibbon against working on a chin bar, one can also explore the difference in motion between the use of muscle contraction and fascia elasticity.

Breathless

呼吸往來，不及法禁*

Exhaling and inhaling comes and goes, never reaching what the method prohibits

At first your breathing will be rough. When it gradually calms down, your ch'i will become lively and should feel as though it fills Heaven and Earth. This is not a matter of holding your breath or straining your ch'i. In this case, your ch'i fills you internally and becomes active.**

當明內外呼吸之歸***

When understanding where internal and external breathing converge

Breathing is a complex matter which has been briefly described in Breathing, Complex and Evolving. Being one of the main obvious activities our body has, it is naturally ultimately the main tool used in practice, whether external, the body, or internal, the organs. Of all the different ways to train one's body, in the end, it just becomes a question of a correct breathing. Indeed breathing directs everything, from body relaxation and stretching to organs pressure, from body angles to vapours flow, from body stillness to mind awareness, from movements to emptiness of one's mind. Therefore fascias and vapours are linked through breathing, they naturally expand and retract following one's breath. Whether external (pulmonary) or internal, it may be interesting to describe a few ways breathing is used in order to decipher the method it relies on. 

The Bow, Cornerstone of Elasticity

兩肩垂兮十指連

The shoulders drop, the fingers link!*

兩手垂兮兩肘彎

The hands drop, the elbows curve!**

屈可伸兮伸又屈

Bent but able to stretch, stretched but also bent!**

前開後合天然妙，雙峰對峙

A natural wonder the front opened and the back closed, the two acromions stand facing each other***

To be able to use fascia elasticity, as it has already been mentioned in previous posts, one has to stretch connective tissues to gain elasticity and get the proper alignments to really connect the whole line again. But this combination of stretching with proper alignments goes beyond just transforming the body, it is a mean to get the fascia lines to tense, first indirectly and then actively.

Bamboo

武藝不學不通，雜技不練不精

Martial art skills cannot be understood if not studied, acrobatics are not outstanding if not practised.

勢如破竹

A posture totally like a bamboo¹.

Though a new realm, bamboo naturally follows what was achieved in the locks, starting to learn how to tense the whole body through fascias and muscle relaxation. Therefore, where one had to soften one’s body in straight and round, bamboo is all about hardening it, nonetheless by means of relaxation. Still, bamboo training is also finding means to enhance the spine flexibility as well as to reach deeper fascia webs. Finally, such training deals with ways to improve one’s grip and the flow of vapours.

Iron Breath

治身：天門，謂鼻孔開，謂喘息闔，謂呼吸也¹

Cultivating the body: the Heavenly Door, called opening the nostrils, called closing gasping and resting², which is called exhaling and inhaling³.

天門亢，擤鼻，旡

The Heavenly Door is haughty, blowing one’s nose, to choke⁴.

Iron training and its main breathing technique, empty breathing, are exercises less and less witnessed in internal practices. They target the capacity to tense all and any part of the body while relaxing and stretching. They use an old type of respiration, sometimes linked to Taoist practices, which consist of taking a long exhalation to empty as much as possible, not only the lungs but the stomach and the whole trunk for the least, and keep at all costs this state while inhaling. 

Firmly Elastic

魄門亦為五藏使*

The Mortal Soul Gate is also of use for the five organs  

下收穀道，上提玉樓**

Down holding the Grain Path, up lifting the Jade House

As it has been already mentioned many times in this blog, adapting professional training made for physically and mentally strong teenagers to leisurely adults raises a lot of issues. It is interesting to notice that one of the first issues is actually the basic training for any style focusing on fascia elasticity: flexibility. As it was mentioned in the posts concerning such elasticity, flexibility for those old practices is not meant to acquire acrobatic skills, even when the results seem quite similar. Indeed, as acrobatic postures may look, they still have to follow a set of rules concerning body alignment, like tucking in the butt for example.

A Question of Size, a Question of Time

筋道不舒長，欲伸而筋不能伸*

When the fascias channels are constrained and short, one cannot stretch at will

手屈而不伸者，其病在筋**

He whose hands are bent and not extending, its illness is in the fascias

To furthermore understand what is sought for in the search of straightness, and even elasticity more generally, it may be interesting to explain furthermore the first quote, from the Fascias Change Canons, more known as the YìJīn Jīng. Indeed, it contains a few keys to understand what is sought for when working with fascias. As it has been mentioned in a previous post, martial enigmas always hold more than one meaning (hence, the above translation of the first quote was meant to illustrate a former post). Then, from a basic understanding, one can try to expand certain characters.

Naturally Contracted or Natural Elasticity

優力無力

No force is the better force

In theory, the difference between contraction and elasticity seems not too complicated. On one hand muscles contract and/or become loose while, in the other hand, facias extend and retract. In practice, and especially nowadays where muscle contraction is the main solution used to generate force for most humans*, it is a more complicated problem, a lot of practices advertising not using muscle contraction, either for marketing purposes or earnestly, while they still do.

Hard Round Or Tender Oval

打拳壯筋骨

Training to strengthen fascias and bones.

寧練筋長一寸，不練肉厚三分

Rather train to lengthen the fascias by one inch than to thicken the flesh by one third.

Contracting the muscles has become such a common norm that we tend to think that it is the only way to move, generate strength... Even when the terms of isotonic, concentric and eccentric are used to oppose three states, maintaining the same length, shortening and extending, it is always in regards to contraction. Still, there is a world outside of contraction, where the muscles relax and extend to their fullest, tensing without contracting. Already mentioned in this blog (see Fascia Elasticity), the image of the bow is central to such understanding, using the body and more especially the fascias and the flesh elasticity is a question of structure.

Suppleness is in the Details

二曰左偏臥，頭枕左足尖，左手搬左足跟，右換如之*

Second, on the left side, the head lying on the extremity of the left foot, the left hand pulling the left heel, then doing exactly the same on the right side

Most of the trainings to improve fascia elasticity were originally meant for teenagers, if not very young kids, quite violent and/or intense in order to take the advantage of their very flexible body and influence their growth. Since grown-ups and/or leisure practice cannot reach such intensity without surely harming the body, the issue is how to adapt old trainings and one's objectives in order to still be able to improve elasticity and connectivity.

Light Heavyweight

無力優力

No force is the better force

重裏觀輕勿梢留*

Watching lightness inside heaviness, leaving no extremities

練重不如練輕

Training heavy cannot match training light

Weights used to be a very important part of martial trainings, it was, after all, already part of the military exams during the reign of the first Chinese female emperor, Wu Zetian (AD 624–705), as well as later for higher levels examinations when military exams were taken seriously. Therefore, in the old days, training with weights would never have been an issue, just regular practice. Furthermore, it was also a way to further understand some of the meanings of the oxymoron of the first quote, being powerful without using force.

Where Do The Vapours Go?

清陽發腠理，濁陰走五臟

The pure Masculin spurts out in the lineaments, the turbid Feminine penetrates the five organs¹.

筋骨之強弱，肌肉之堅脆，皮膚之厚薄，腠理之疏密，各不同

The strength or weakness of the fascias and bones, the sturdiness of brittleness of the flesh and the muscles, the thickness or thinness of the skin, the sparsity or density of the lineaments, each according to its own².

腠者，是三焦通會元真之處，為血氣所注。理者，是皮膚臟府之文理也

The lineaments, it is where the triple burner harmonise the true original, where the blood and the vapours pour. The vein lines, it is the pattern of the skin and the internal organs³.

其流溢之氣，内溉臟腑，外濡腠理

When the vapours are overflowing, inside it irrigates the internal organs, outside it moistens the lineaments⁴.

There is a trinity in the internal practices called 氣，理，血， vapours, veins and blood. It is helping in the other riddle, 氣隨血行, vapours circulate following the blood. Indeed, as the blood nourishes the body circulating through its vessels, the vapours should do the same through an alike type of vessel to provide for, at least, one’s vitality and spirit. Hence, 理 in its meaning of vein is placed at the centre of this trinity to stress on the similarity of the blood and the vapours circulatory systems. To decipher this riddle, one can look at the term 腠理, lineaments, used in Chinese Traditional Medicine.

Overload

铁杵成针

To grind an iron bar down to a fine needle

集腋成裘

Many a little makes a mickle (many hairs make a fur coat)

The use of weights in old practices is often a misunderstood issue. Indeed, it is often considered as either good or bad. Old practices were all about method, which means most of the time neither a total inclusion, nor exclusion, of any exercise. It was a question of opportunity, so of when, how and why. The first question to be answered was why one would use weight in training, then would come the when was it opportune and how to train with them. Since training was primarily customised for children and teenagers, whose body would transform very quickly, the opportunity to use weights in training would come very fast. Hence, as far as teenagers were concerned, weights were almost from the beginning a part of their training. Unfortunately, going from children professionally trained to leisurely adult changes totally the equation. Therefore, it may be interesting to describe how adults shall face the weight issue.

Sturdy Structure

拳怕少壯

The fist fears the young and robust¹

膂力過人

An outstanding backbone strength²

打拳壯筋骨

Training strengthens fascias and bones.

刀越磨越亮，體越練越壯

The more is polished a knife the brighter it is, the more is trained a body the stronger it is.

冬養骨，夏伸筋

Winter to grow bones, summer to extend the fascias

The need to first transform the body, stressing on fascias and bones, which has already been described in length in this blog, is the basis of the external training of internal practices. 

Stretching To Deep Transformation

打拳壯筋骨

Training to strengthen fascias and bones.

寧練筋長一寸，不練肉厚三分

Rather train to lengthen the fascias by one inch than to thicken the flesh by one third.

百折連腰盡無骨

A hundred twists linking the waist, a boneless utmost¹.

    

The first part of internal training was meant to deeply transform the body and its metabolism. Both were trained by deeply stretching the body, though the second one also involved some special breathing and putting physical pressure on the body to make it hotter².

Forever Young

 

拳怕少壯

The fist fears the young and vigorous¹

少時練得一身勁，老來健壯少生病

A whole body strength trained when young, robust, healthy and rarely sick at an old age.

練出一身汗，小病不用看

Training to sweat all over the body, no need to worry about minor illnesses.

身體鍛鍊好、八十不服老

A body well trained, eighty but not acquiescing to old age.

二五更的功夫

Skills coming from an early sleep and an early wake².

A part of old practices, which is almost lost nowadays, is the training of the organs and its deep transformation of one’s body. To stay fit, for old internal practices, was to upgrade one’s organs, the internal alchemy, which, amongst other things, led to slowing down the ageing process and keep one’s vitality at its best for a long time. 少壯, young and vigorous, stresses on such need.

Cycles, Versatility

一层功，一层理

One level of skills, one level of principles

Old methods teachings are often compared to a spiral, repeating the same training but at a different level, hence the quote. As to demonstrate such method, the present blog has reached a time to start over, review some of the basics of internal practices with a deeper understanding.

Bones and the Force

氣沉骨堅

Heavy vapours and strong bones

骨堅筋柔

Firm bones and supple fascias

As far as the body force is concerned, the external part, the most important was neither muscles nor even fascias for the internal arts, but it was the bones. Bones and force are the typical example of how internal arts work, body force was first about a stronger structure and, to achieve it, stronger organs.

Acrobatic Die

未学功夫，先学跌打

Before studying skills one shall study acrobatics

One shall keep in mind, as it was reminded in Standing, that old schools used to be for professionals, their usual students were teenager, if not kids, whose body could be transformed very quickly. Hence, the extreme flexibility required of martists described in the quote was something so obvious that the reasons behind it and part of their training methods have been lost in our modern leisurely times.

Training acrobatics was a way to improve one's elasticity as well as reconnect all the fascia lines, allowing more freedom and smoothness in one's moves. It was also a means for the losing battle against ageing and gravity. Nowadays, students being most of the time adults and the heavy stretching exercises often demoted from their status of basics to useless acrobatics, it may be necessary to remind what were some of their former goals and how can we get back some key points in our trainings without having to aim for an acrobatic flexibility.

Back to the Fascias I, New but Old

然而練筋易而練膜难*

However, it is easy to train the tendons but harder to train the membranes

筋有十二經絡**

The fascias are twelve net channels

足太陽之筋***

Fascias of the Foot Great Masculine

Internal practices centre themselves around three notions: fascias, vitality and breathing. If fascias seem to deal with the body power, the external force, vitality with its internal aspect and breathing with rhythm, they are actually intertwined. Indeed, the work on fascias improves one's organs, hence one's vitality, and regulates one's breathing. Vitality, through swifter moves, improves fascias resistance and stronger organs allow a deeper and uninterrupted breathing. Breathing, through relaxation, improves fascias stretching and saves vitality by keeping the emotions under check. One could say the bones, our frame, should be also mentioned as a very important issue. Still, they are a byproduct of vitality through the kidneys and thus included in this one. Since training is often about repetition, it seems opportune to revisit those three concepts from time to time.

The concept of fascias, or connective tissues, which seems to have appeared around the 19th century in modern medicine and became more and more known recently**** is a notion very close, if not alike, to what one of the best known book of Traditional Chinese Medicine, the Yellow Emperor's Inner Classic, describes as 經筋, the fascia channels (a modern fascia line compared to an old Chinese fascia channel). Still, 筋, which is often taken in its meaning "tendons" for a lot of martists, is and has not been the only term used to describe connective tissues. Therefore, it seems necessary to first deal with the terms covering the concept of fascias in Chinese.