Flat Stomach Improved Vitality, Anti-Gravitational Reconnection, External Connections

 

頭部，身軀，腿足，為天地人三盤

Head, torso and legs, the heaven, earth and human plates

三盤一軸

Three plates, one axle

三盤對天

The three plates face the sky

Some martial art schools use the three plates theory, and the first two quotes are pretty common. As far as verticality is concerned the plates can be extended to any part of the body, the idea being that a vertical alignment means a horizontal one (the third quote and the concept of crosses in training). The best known one is the book on the head.

Flat Stomach Improved Vitality, Anti-Gravitational Reconnection, The Basics

 

低頭彎腰，傳授不高

Lowering the head and bending the waist, not a great teaching.

 

腰與胯合，腰催胯

Waist and hips join, the waist propels the hips

圓襠鬆胯最為良

A round crotch and relaxed hips are desirable

吸胯提襠

Sucking in the hips and lifting the crotch

There are a lot of sayings, from a martial style to another, which insist on the importance of the middle section of the body, from the hips to the waist. They are often, if not totally forgotten (who talks about the crotch, if not just as a joke?), not really a key part of training any more, hips apart. Unfortunately, crotch, hips and waist are all essential parts where the connection between the upper and lower sections of the body is made and the vitality/heat is, or isn't, insulated.

Flat Stomach Improved Vitality, The Method Behind It, Endurance

夫氣足耐寒，血足耐暑，神足耐饑，精足力綿

One can endure cold when vapours are sufficient, heat when blood is sufficient, hunger when spirit is sufficient, the strength is continuous when essential liquids are sufficient¹. 

一日練一日功，一日不練十日空

A day spoils for a day training, ten empty days for a day without training.

肛門不提，丹田氣散，内中空虛，元氣虧損

When the anus is not pulled up, the vapours around the cinnabar field disperse, the inside becomes empty and one’s vital energy depletes.

As leisure and for show, training has evolved towards performance arts. Most of the classes being taught in a short format, less than two hours, and the proliferation of demonstrations have forced the old practices to reorient themselves in that manner.

Flat Stomach Improved Vitality, The Method Behind It, Changes

窮則變，變則通，通則久 

At the extreme change comes, changing then accessible, accessible then enduring¹.

物極必反

Things turn into their opposite when they reach their extreme

三伏練筋, 三九練骨

Training the fascias in the hottest summer days, training the bones in the coldest winter days.

If obviously you can’t escape changes when deeply modifying one’s body, this also remains a truth for each and everyone. Indeed, every day, if not every second, our body changes. It evolves, grows or decays according to our age and reacts to our environment and our intake habits. Even our emotions, when heightened, can have a visible impact, white hairs being the most noticeable one.

Flat Stomach Improved Vitality, The Method Behind It, Intertwined But Body Comes First

玲瓏變化布周身

Exquisite changes arrange the whole body.

法是功能之基

Method is the foundation of capability.

脾藏營，營舍意，脾氣虛則四肢不用，五臟不安，實則腹脹經溲不利

The spleen stores the reconstruction, in which abides the will. When the vapours of the spleen are empty, the four limbs are then of no use. When the five organs are not at ease, it makes the stomach distended and inhibits urine and defecation¹.

As far as the machine, the body, was concerned, deep transformations were sought after in internal practices. The goal was to make it more efficient and better suited to the needs of combat. The nurturing of vitality targeted the former. The method acknowledged the fundamental intertwinement between the body and the mind, the former actually being the lead. 

Flat Stomach Improved Vitality, Introduction

 

五臟六腑，各安其位，各司其職

The five viscera and six internal organs, each in its place, each in its function.

喜怒哀樂之未發，謂之中

When happiness, anger, sorrow and joy have not appeared, this is called equilibrium1.

A great part of improving and keeping vitality comes from the organs/emotions duo. Simply put, organs produce vitality when we exercise but lose some when faced with emotions. Hence, internal arts do not consider that post-training and post strong emotion/stress fatigue are the same. One is healthy (building vitality) and more external (moving the body) while the other is harmful (losing vitality at a high pace) and more internal (the organs are ‘moving’, not the body).

Contracting or Spreading

 

筋道不舒長，欲伸而筋不能伸

When the fascias channels are constrained and short, one cannot stretch at will1.

練形者，又名曰展筋脫骨
Who trains the shape, also called spreading out the fascias and the bones coming off2.

Contraction, especially when grown up, is so ingrained in our body that, even when someone has transformed his/her body through stretching, the reflex will remain. Training from a later age, one also has to learn again how to spread instead of contracting.

Stretching To Deep Transformation

打拳壯筋骨

Training to strengthen fascias and bones.

寧練筋長一寸，不練肉厚三分

Rather train to lengthen the fascias by one inch than to thicken the flesh by one third.

百折連腰盡無骨

A hundred twists linking the waist, a boneless utmost¹.

    

The first part of internal training was meant to deeply transform the body and its metabolism. Both were trained by deeply stretching the body, though the second one also involved some special breathing and putting physical pressure on the body to make it hotter².

Stretching The Basics

未學功夫，先學跌打

Before studying skills one shall study acrobatics1

Flexibility has been researched for over 100 years. Its track record is unimpressive, particularly when viewed in light of other components of physical fitness. Flexibility lacks predictive and concurrent validity value with meaningful health and performance outcomes. Consequently, it should be retired as a major component of fitness2.

三年樁，兩年拳

Postures for three years, boxing two years

The first quote apparently makes the link between practising martial arts and acrobatics, which become a prerequisite. Acrobatics and the extreme flexibility they require doesn’t seem to have a lot to do with using a sword or any weapon of the old times. So, why did it use to be a part of the basic training of a lot of styles until recently, shared by both internal and external methods?